Method vs. Feel

14 05 2008

I began writing the treatment for my screenplay last night. “Treatment” is apparently just movie slang for a five page synopsis of your film from start to finish. During this process, I continued to realize what I had already begun to perceive about writing prose/screenplays.

Writing in this format is much more about METHOD than it is about FEEL.

Granted, great ideas, creativity, etc are all things that can occur naturally – the actual formulating of these ideas into a treatment or script is very regimented. Where music was all about “feel” – you would hear the beat, it would inspire you to write the words, which would inspire you to perform the song, etc… This is very much a step by step lesson in formatting, screenwriting has to be visual and creative – yet precise and organized. Its a very strange tightrope to walk.

If I had never visited blogs like Artful Writer, or read any books on this – I wouldnt know where to begin. How would anyone inherently know that scripts must be written in 12 point Courier, as it takes the human brain one minute to process a page of words written in this font?? I wouldnt have, but Im glad to know now.

As far as the treatment goes, I have a fairly solid synopsis of my first act. I hope to have it done by the weekend so I can officially launch into writing the actual script. That is, if I can continue to resist the urge to color outside the lines…

Dustin


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17 05 2008
B-Moore

The synopsis, at least to me, was one of the hardest parts because it meant me actually organized everything that I wanted to say. Usually when I write I’m so scatterbrained that I usually bring things together last, but with this, it forced me to reverse my writing style.

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